Social media personalities, bloggers, and other influencers have been questioned for their ethics because of fears associated with influencers marketing products without telling their audiences. Joe Sinkwitz has an accessible summary of the concerns around influencers’ lack of disclosure. My research group on influencers within the travel industry sought to explore how these workers understood their ethical obligations to their audiences. Our paper, titled “Ethics of Authenticity: Travel Influencers and the Production of Sponsored Content,” was recently accepted to the Association for Education in Journalism and Mass Communication national conference. Mariah Wellman will be presenting the conference in Washington D.C. this August. Continue reading “Conference Presentation: Travel Influencers and Ethics of Authenticity”
I was elected as the Vice President of the University of Iowa’s Graduate Student Senate (GSS) for the 2018-2019 academic year. The Vice President of GSS supports the President and is responsible for the planning and execution of the Jakobsen Conference, a poster presentation-based academic conference for University of Iowa graduate students. The conference encourages interdisciplinary as graduate students from across the university share their ideas in conversation with each other. I’m excited to work with incoming President Kaleigh White to represent University of Iowa graduate students and plan the Jakobsen conference in the upcoming academic year.
In addition to my responsibilities as Vice President, I’ll also pull in my web management skills from my professional background as the webmaster for the Graduate Student Senate.
The University of Iowa School of Journalism and Mass Communication awarded me with the John F. Murray Outstanding Doctoral Student—Teaching merit. Dr. Dan Berkowitz announced that it was given to me based on my interactions with students in my Media Uses and Effects class, my work toward a graduate certificate in college teaching (which I’ll finish this fall), and the intersections between my teaching and research. I’m thankful to the School of Journalism and Mass Communication for the award, and I’m excited to continue to develop as a teacher in the coming years.
I’m happy to announce that I’ll be taking over the Reviews Editor position for the Journal of Communication Inquiry beginning June 1, 2018. I’ve served on the journal’s advisory board for the past year, and it’ll be great to further my involvement with the journal. I’ll be working closely with the Managing Editor to solicit and include reviews of salient works in the critical/cultural tradition of communication research. If you’d be interested in publishing a review essay in the Journal of Communication Inquiry in the upcoming academic year, please contact me at email@example.com.
I will be presenting my paper “’They can now be seen’: Netflix and the cost of transnational audiences for independent film producers” at the University of Wisconsin for the annual Big 10 Mini Conference. This paper explores Netflix’s (and partially Amazon’s) 2016 and 2017 presence at major independent film festivals. By acquiring films at these festivals, these streaming video portals provide independent producers a chance to reach global audiences while simultaneously profiting off of their work.
Brian Ekdale, Melissa Tully, Mariah Wellman, and I launched a research group during my first semester at the University of Iowa. We blended our interest in production, global media, travel, blogging, and social media to start an on-going project that explores how travel influencers and destination marketing organizations work together, which includes questions about the ethics of disclosure, the negotiation of labor and compensation practices, and much more. The first paper our research group produced, entitled “Bridging the Gap: Influencers, Destination Marketers, and Intermediaries in the Changing Travel and Tourism Media Industry,” was accepted into the 68th annual International Communication Association conference taking place in Prague, Czech Republic in May. Brian and Melissa will be presenting the paper, so the picture at the top of this post was basically meant as self-torture since I can’t attend the conference.
Here’s the abstract for the paper: Continue reading “Conference Presentation: Bridging the Gap”
There are few stories I enjoy more in the world than the Kingdom Hearts franchise. The games have always been fun, the stories have grown increasingly complex, and I really appreciate how much Square Enix and Disney mess with fans by seemingly releasing each game on a new video game system (the games have now been released on PlayStation 2, Nintendo DS, PlayStation Portable, Nintendo 3DS, PlayStation 3, PlayStation 4, and iOS/Android). When Square Enix and Disney released Kingdom Hearts 2.8 earlier this year, I was struck by the strangeness of releasing a feature length film on a PlayStation 4 disc. In my paper, “Selling Nostalgia: Selling Nostalgia: Transmedia Storytelling in Video Game-Inspired Films,” I theorize that this distribution model nostalgically connects the movie and video game to consumers both temporally and spatially (sensorially) through this release method. This distribution model both encourages consumption of the film and provides an alternate release format for Square Enix to fund their films, which have historically struggled financially. This paper was recently accepted to the game studies division of the Popular Culture Association’s National Conference in Indianapolis March 2018. Continue reading “Conference Presentation: Nostalgia, Transmedia Storytelling, and Kingdom Hearts”